Chandra Ghosh Ippen, the author, expertly provides emotional distance of these heavy topics by focusing on the experience of caring for a rescue dog. This makes the story more palatable for the young child. She gently weaves the shared experience of the boy into the story, as follows.

      "People I lived with before had big problems and didn't always take good care of me."

The illustrations, in gray, faded colors, show the reader some of the negative experiences of the boy. This brings the reader to not only feel compassion for the dog, but for the boy also. 

​This book serves as an excellent model for compassion and understanding when dealing with a child or a dog, with a history of traumatic experiences. Child and adult readers alike, will feel their heart plunge into deep empathy when reading this book. Ms. Ippen stresses the importance of gentleness, observation, listening skills and taking time and patience to earn the trust of someone with past hurts. 

       "People had not always been kind. Some people had hurt him, and Argo didn't know
        that we were different." 

Zeze and Paul, the animal shelter staff, represent kind foster parents of Argo. In dealing with Argo's intense fear, they get down at his level and gently wait while playing soft music. This eventually lures Argo to start to trust and move toward them on his own. What great modeling of empathic caregivers!

Argo & Me provides examples of many fears, more common ones like thunderstorms, and  unique ones based on personal experiences, like boots, or in the boy's case, suitcases. Suitcases  reminded the boy of the sad goodbyes and signified to him another move. But with time and repeated positive experiences, the boy learned that suitcases were for fun trips! This illustrates the  hopefulness of being able to change and put some fears to rest when in a positive environment. 
       
Later in the story, the boy becomes angry with Argo for chewing on his stuffed animal. Argo reacts with fear and sadness. The family notices that bad moods may remind Argo of bad days in his past. The boy was able to return to Argo later and repair the situation. This scene is significant in two ways. One is the crucial concept that anger does not have to mean loss of love or connection. This is part of learning to feel safe in a secure environment. The second point is that  there is meaning behind acting out behavior. Reacting with anger is normal, although taking a deep breath and working on understanding the meaning behind it, is a kinder, more effective way to handle these situations. 

Another topic that the book addresses that I value deeply, is keeping past positive relationships as much as possible in the lives of these children. The family ran into Zeze and Paul at the dog park. Argo enjoyed sharing memories with his past family in the company of his current family. Setting up these visits can help the child feel whole by combining parts of their past lives with the present. It can also model positive loss, as shown in the following quote:  

                                  "Even when they're not with us, they live in our hearts."

If you pay close attention, you can surmise that the boy was adopted by a single dad. This is a great message of the possibilities of finding love in non-traditional families. The framed photos on the last spread of the book, displaying the boy's new life with past connections, ends the story on a beautiful note. This leaves the reader with feelings of hopefulness that, even if you had a rough start on life, you can find love and connection in your future. 

The illustrations, by Erich Ippin Jr., reflect the messages and moods of the story. The soft shades of blue add to the feelings of gentleness and compassion. The sad moments are colored in gray and dull hues, while the happy moments are reflected in bright shades. The illustrations are fun and will appeal to young children.

To purchase this book or check out other books from this author, click HERE.

Materials:
-Large Craft Sticks
-Strong glue
-white paper or cardstock
-Markers
-Pencil
-Decorating options (jewels, glitter glue, buttons, small stickers, etc.)

The book features a young girl, Sera, who finds her home a hard place to be due to her Dad's problems with anger control. He raises his voice and blames his family for things in which they have no control. At the height of his anger, he leaves the house and slams the door so hard, that the glass breaks. This is scary for Sera and creates anxiety as she anticipates what will happen when he returns. Sera thinks of her dad as "the strongest thing," because his anger seems so big, it fills up the house.  So big, in fact, that, 

"...my house looked too small for me to fit back inside it." 

However, in contrast when approaching her school, Sera describes it as,
" ...a shining castle on the hill, big and bright and cheery." 

The contrast in her description between her house and her school, shows us that Sera experiences her school as a haven. The familiar people and routines are comforting to her, and elevate her mood. The school day distracts her from thinking about the scary things at home. However, when the teacher announces that the school day is half over, Sera's mood takes a nose dive. She becomes angry and those sensations in her body, that she experienced during the incident with her father, return. 

"My shoulders sank like a ship, and my belly squirmed with worry."

Ms. Adelman not only focuses on Sera's feelings, but the specifics of how that feeling affects her body. These sensations are described using similes which provides a clear mental picture for the reader to fully understand what Sera is experiencing. In order to name and recognize our feelings, we need to develop the skill of tuning into our bodies. This allows us to recognize those feelings through the sensations we're experiencing. 

After stomping around with her anger, Sera seemed to be calming herself by painting. A classmate then accidentally slams the door and startles her. It reminds her of the door slam and broken glass at home. When this happens, her painting gets ruined and she begins to act "like the bully at home," -blaming, yelling, pointing, seething. Her feelings were so big, that she felt like "the strongest thing." 

After observing her classmate's emotional reaction to her behavior, she knew exactly how he felt. At that point, Sera realizes that BIG ANGER was NOT the strongest thing. She then apologized, wishing her Dad would do the same for her.

After the incident, she feared the worst from the teacher. However, he responded with kindness and support, which is an excellent model for teachers reading this book. His reaction also served as a model for the students, as they then offered support too. Due to the other's reactions, Sera learned that "the strongest thing" is actually being calm and kind. 

The last page of the book leaves the reader with a powerful message. The teacher and the mother are together in the classroom offering support to Sera. The teacher approached this situation as a team player with the parent.  He did NOT call or send a note home about Sera's poor behavior. He solicited the parent to come in and assist him in supporting Sera. Care and compassion in place of punishment. Beautiful. A great message for teachers, parents and kids. 

There are so many important mental health messages portrayed in this book. However, I'm going to zoom in on the importance of emotional regulation in children AND adults. Adults who cannot regulate their feelings, especially their anger, create cycles of trauma in families. One of the most important things to begin learning as a child and throughout one's life is to regulate your emotions. If this skill is not mastered by adulthood, it will negatively affect a person's relationships, family, jobs, and overall happiness. Then, without the proper modeling and teaching, the cycle continues with their children. 

This is the reason why it is crucial to teach our kids about the different emotions, how they feel in their bodies, what makes them feel that way, and what coping skills work for them. Kids need to be allowed to express their feelings openly when younger, so when they are adults, they will have had much experience at managing them. By doing this, the trauma will not pass on to another generation. 

Both men and women can have problems with emotional regulation, however, anger control issues are more prevalent in boys and men. The reason for this is that traditionally, anger has been the only emotion that boys have been allowed to express. It is the emotion that is considered more "manly." Even now in 2022, some boys are still getting the message, "big boys don't cry," or "you're acting like a girl," when expressing any emotion besides anger. By keeping all of the feelings besides anger inside - sadness, hurt, disappointment, fear, etc.- those feelings get wrapped up in one big package called ANGER and that anger grows exponentially inside them.  

For this reason, we need to teach our boys about ALL OF THE FEELINGS. and ALLOW, AND EVEN ENCOURAGE THEM, TO EXPRESS THEM OPENLY. By doing this, they can practice coping and regulating, so by the time they are adults, they will be experienced emotional regulators. Then, and only then, will they grow up to be men who don't continue the cycle of anger and perpetuate trauma in their families. Instead, they will act as models for their children for dealing with emotions appropriately. That is the cycle we want to perpetuate. 

If, as a society, we understand that expressing and understanding all of the feelings makes us stronger, not weaker, the more homes like Seras' will have plenty of room for love and happiness. 

If you wish to purchase this book, or check out the many other mental health books written by this author, visit Hallee Adelman's website HERE.
​

MY HOUSE IS LIKE A SANDWICH
Sera describes her house "like the middle of an old sandwich, squished and dark and icky." 
For this month's activity, we're going to use this simile, make a sandwich and have the child fill it with the feelings in their house. 

NOW, LET'S BUILD OUR OWN SANDWICH!

Materials:
-White or beige cardstock or construction paper
-Construction paper in many colors
-pencil
-scissors
-brown and black markers

Grandparents raising grandchildren is not a new concept. Grandparents have been standing in for parents for centuries. However, the number of grandfamilies has doubled since 1970. An estimated 2.7 million grandparents in the United States are raising their grandchildren. There are many factors that create a situation where the parents are absent. These include alcohol or drug  addiction, incarceration, death, mental illness, abuse and/or neglect, teen pregnancy, developmental disability or military deployment. The most common of these factors is addiction, which can lead to many of the other factors above. The opioid epidemic has certainly increased these numbers in recent years. 
​
One thing that all of these families have in common is grief and loss. The child is dealing with grief related to the loss of their parent and the grandparents are dealing with grief related to their child. The feelings are often intense on both sides of this relationship. This situation presents a host of other big emotions for the child and the grandparent. Especially challenging for the grandparents is that they have to witness and address the day to day pain of the child(ren), while at the same time dealing with their own feelings. Sadness, anger, worry and uncertainty, are common on both ends. However, there are many challenges specific to the grandparents. 

This is not what grandparents expected to do with their lives at this stage. The plans they may have had are often upended with this huge responsibility, which is another source of grief. Grandparents lose their "grandparent role" of being in the position to provide treats and fun excursions, when instead they are responsible for discipline, education, and constant caretaking.  Due to the resistance in switching roles, as well as pitying the child for the pain they have endured, many grandparents stuggle to provide appropriate discipline. Guilt for possibly being the cause of their own children's problems can also be a factor. The kids are not happy with the change in the grandparent's role either. Therefore, they often push back on the discipline and yearn for their prior relationship with their grandparent. 

Due to their age, grandparents often have lower energy levels, health issues and limited retirement income. They may have to navigate child welfare systems, educational systems and legal issues. Grandparents often experience loneliness and isolation as their peers are no longer interested in activities with children. And, they don't fit in with other parents who are much younger than themselves. Resources are available for grandfamilies, however, they are difficult to navigate. Often they have to jump through many hoops to access minimal resources.

All of this being said though, grandfamilies are a gift. It usually is the best option for a child who can no longer live with their parents. It can keep the child out of foster care, and with family  whom they already have a relationship. Grandparents provide much stability, consistency and unconditional love which is what children need most when in this situation. Also, despite the heartaches, children provide grandparents with much joy. 

In its own subtle way, Ten Beautiful Things, captures much of the joy and heartache I have mentioned above. Gram and Lily embark on an adventure of the unknown. They are headed on a long drive to Gram's house, which is going to be Lily's new home. The reason for this move is not stated, however, the tone of the story shows the reader that this move is riddled with big feelings. They drive off in the dark with her things piled high on the car. To me, this represents the permanency of the move, along with the emotional baggage that she is taking with her. Leaving in the dark implies the urgency in which they had to leave and possibly the fear attached to it.  

Gram tries to distract Lily from the pain by encouraging her to find ten beautiful things on their route. Lily doubted that she could find anything beautiful, which points to the hopelessness in the beginning of the story. However, looking for ten beautiful things was brilliant, as grandparents often are. It served as a Mindfulness activity. Mindfulness is a meditation exercise in which one focuses on being intensely aware of what is in their surroundings in the moment, whether it be sights, smells, sounds, tastes or touch. It can help calm emotions and regulate the body. This activity was an excellent coping strategy for both of them to address their sadness, grief, and fear of the unknown.

The author, Molly Beth Griffin, did a great job with descriptions to help the reader identify with, understand and experience what Lily was feeling. Sadness was evident throughout the story and much emptiness was described with Lily trying to fill the "hollow spaces" inside of her. The following passage describes a mix of intense feelings that you can't really put your finger on, but ones in which all of us can certainly relate. 

                               "Lily felt the complaints starting in her belly again,
                               coming up her throat and nearly out of her mouth."

The  story culminated in a storm which reflected the current state of Lily and Gram's lives. However, Lily felt much comfort and safety inside the car with Gram, even if their lives outside of that relationship were stormy. Gram was nurturing and thoughtful and not minimizing of Lily's feelings. In the hug, you could feel their mutual pain, as well as their love. This line towards the end of the story told us all we need to know about their lives ahead. 

                                 "None of this was easy, Maybe it would never be easy.
                               But she belonged with Gram now. She belonged here now."

This was an acknowledgement that their situation was not easy and there was no easy fix. However, Lily and Gram had each other and they were going to figure out how to move forward together. This was a realistic and hopeful tone in which to leave the reader.                        
              
The illustrator, Maribel Lechuga, expresses the mood of the story well, through color variations and facial expressions,  Beautiful, detailed landscapes throughout the book take the reader on a mindfulness journey, along with Lily and Gram. 

I highly recommend this book to be read by grandchildren, along with their caregiving grandparents. It is also relevant to those in kinship care, with another relative. Many will relate to the joy, pain and uncertainty in this situation. I have provided an activity below to further explore this topic. 

To purchase this book or check out other books by this author, click HERE.

OUR JOURNEY TOGETHER
This activity can help grandparent and granchild connect on feelings they have in common. It will help them better understand each other and feel that they are not alone with their feelingsl. 

Materials: 
-Car coloring page
 www.coloringall.com/coloring-pages/letter-c/simple-car-and-uppercase-c/
​-pencil
-Crayons and/or markers
-Black construction paper; other colors
-Larger piece of cardboard or cardstock
-scissors
-glue
-2 paper fasteners

The main factors that determine the intensity of a child's response are:
1. Severity of the event
2. Proximity to the event
3. Caregivers reactions/response
4. Prior history of trauma
5. Extent of family/community/cultural connections

Focusing on #5 above, supportive relationships and community connections serve as the main buffer to a traumatic incident. Children who have healthy support systems fare much better during a traumatic event and in the aftermath, than do their peers who lack connections. 

As humans (and animals), there is a common response to how we react in moments of intense fear - Flight, Fight or Freeze. These responses are for self-preservation as they force us to act when faced with danger. Joanna Rowland sensitively walks children through this process in her latest creation, Big Bear Was Not the Same. This book is useful for all of us, but is especially helpful for kids who have, or know someone who has, experienced trauma. Friendship and empathy are also strong themes in this story.  

Ms. Rowland created loveable and relatable characters in Big Bear and Little Bear, who are best friends. Big Bear experienced a very scary event - a forest fire. After that, Little Bear noticed that Big Bear was not the same. Big Bear had always loved adventure and was so brave. But now, he didn't want to do many things as he thought they were too dangerous. After a scary event, sometimes the Flight, Fight or Freeze response doesn't shut off like it should, which leads to ongoing physical and mental reactons to the past trauma. 

Big Bear started reacting with fight, flight or freeze whenever he experienced a reminder of the fire. His senses triggered a reaction as they reminded him of the scary thing that happened. After he heard a loud noise, he ran away - the flight response. When he saw something that reminded him of the fire, he let out a huge ROAR that scared little bear and the other animals- the fight response. When he smelled a campfire, Big Bear froze - the freeze response. 

His behaviors confused and scared Little Bear as Big Bear was always big and brave. How could he be so scared? Little Bear tried many things to cheer up his friend, but was unsuccessful. Until, Little Bear realized that it was the fire that had changed Big Bear. Once he acknowledged how scary that must have been for his friend, Big Bear was able to talk about it. Little Bear reassured Big Bear that it was okay to be scared sometimes and that he would stay by his side. This connection, acknowledgement of the trauma and  reassurance was exactly what Big Bear needed to start to heal. 

The illustrator, John Ledda, played a big role in making the characters loveable, as they are the perfect mix of realistic and adorable. The earthy, muted colors add a feeling of warmth to the story. The intense feelings of both bears are expressed beautifully through the illustrations and assist the reader in feeling deep empathy for them. 

Also, check out the backmatter at the end of the book about trauma, which is an excellent resource. 

If you wish to purchase this book, or other mental health related selections by this author, check out her website HERE! 

It's very helpful to initiate a discussion after reading the book to assist the child in opening up about their trauma(s). This can also serve to help them understand their own responses and behaviors. 

Have the child draw a picture of a very scary thing that happened to them. Then ask the following questions about the picture: 
1. When did that happen/How old were you?
2. Where were you when that happened?
3. What did you do when it happened? Do you think your responded by Flight, Fight or Freeze? 
4. Was someone there to help you? If so, who?
5. When it happened, what do you remember seeing, hearing, smelling, tasting and/or feeling? 
6. Remember that bear kept reacting even after the bad thing was over? Does that ever happen to you? 
7. What helps you feel better when this happens?
8. Always provide much support and acknowledgement by saying "I'm really sorry that happened to you." 

Materials Needed: 
-old pair of socks; can be mix-matched like mine below!
-cotton balls
-elastic band hair ties
​-Small piece of string
-scissors
- colorful ribbon
-fabric or permanent black marker